Site design / logo 2023 Stack Exchange Inc; user contributions licensed under CC BY-SA. Manage Settings After shooting both Portra 400 and Portra 800, I will say that it is much easier to shoot . As you can see, Kodak Portra 400 is a very vivid film, capturing colors, light, and texture in a crisp format unlike many other film stocks. If underexposed, it will have more of a muddy and grainy look. CineStill 800T in daylight, dev/scan by Rocket Repro lab, Vancouver. It is my opinion that the tools should not determine the way you want to shoot, but the other way around. Many film cameras are limited to 1/1000 sec or even 1/500 sec exposure time; this will not be enough. Bright conditions like shooting outdoors on a sunny day benefit from lower values. I would expect you to get some bloody stunning results, Julian! And also, like I said, I come across films that I like the look of, but then happen to be of a high ISO with no slower versions. And that's perfectly okay. One of the things that hasn't been mentioned yet is why you select a particular film. Another big pro of the Canon 5D Mark IV is the ISO range. The 28-70 lens was a little lower-contrast and not quite as high resolution as a lot of the lenses I normally shoot. Compact film camera to handle high iso sensitivity. Your donations via Buy Me A Coffee and your purchases from our shop are very much appreciated. The rest is done with your development lab. This just tricks the meter into over exposing the film. The combination of shutter speed, aperture and film speed/ISO (and light modifiers) are expressed as EV or "Exposure Value". Tungsten lights glow orange at 3000K, which is similar to the temperature found on the surface of red dwarfs, and LEDs can glow blue at nearly 7000K, which is similar in colour to the ultra-hot blue stars. Could be. A couple of rolls later I decided I should give Portra 800 a run for its money in lower light. Of course, your mileage might vary for as many reasons as their are variables within the process of shooting it not least your personal tastes but if you like what you see in this post, I can highly recommend you give this film a go! Prior to shooting Portra 800, my biggest concern or sense of limitation with regard to this film was its higher speed. Neon lights are very easy to shoot. The issue you may run into is that your camera might not have the aperture/shutter speed combination to properly expose the film. It's intended for a more all-round use between somewhat darker and lighter scenes, but I needed to know that at what point such high ISO would be t sensitive (in case the sun comes out when outdoors). CineStill 800 Tungsten is the ultimate low light film for your film camera! And the Tri-X 400 single-use camera is one of the best you can buy. Read Kodak Portra 800 A Review []. Though I do think that even if I did, it shows whats possible with this film in these sorts of shooting circumstances. About Submissions Apps & Downloads Shop Terms Privacy Cookies Disclaimer AUP Privacy Tools Feedback Feedly Twitter Tumblr Mastodon Instagram Pinterest. I love the softness I can get with Kodak Portra 800 shot indoors at low light. For shooting at night or indoors with dim lighting use an ISO of 1600 or higher Why was the nose gear of Concorde located so far aft? You can pick up some on Amazon here: Kodak Portra 800 in 35mm and Kodak Portra 800 in 120. Heavy overcast or about to rain - ISO 400. [CDATA[ ISO in Photography: what it is and when to use your higher settings shooting film is almost a Zen approach to photography. Good call on the shutter-time, which is something I didn't realize might have to be too fast. I typically prefer results taken with the filter, but its not difficult to imagine that certain photographs. One way CineStill recommends is using a 85 or 81 filter for daylight images with this stock. I recently deliberated the above arguement before settling on buying my first roll of Portra 800 and taking on a trip to HK.I found Emulsives article below incredibly helpful in helping me make up my mind:https://emulsive.org/reviews/blind-film-review-01-fuji-natura-1600-vs-kodak-portra-800-vs-lomography-color-negative-800-35mm. Id really like to see what you do with it looking back, I wish Id known about it sooner. Kodak also makes fantastic black and white disposable cameras. I might have to shoot some Portra now and see how it compares. Cinestill film is cut from Kodak motion picture film, which is still available with tungsten white balance. Plus your overall signal is cleaner. I can also shoot it at night - but it does mean that at night, I'm going to need a tripod and some long shutter speeds. A variable neutral density filter (or variable ND filter) can help fix that! I switched to digital around 2004 and not until the recent years I've been wanting to experiment with film again. This particular camera is indeed limited to 1/1000. Do you have any other tips? Its finicky but not too finicky but you do need to think about exposure more than the others. Another is to shoot the film at 400-500 ISO. To view the purposes they believe they have legitimate interest for, or to object to this data processing use the vendor list link below. I generally shoot with natural light outdoors with low ISO film. Scanning this roll, the colours seem to pop how I like them really easily, and that was despite the fact that Id shot it with a 1940s lens. Thanks to Cinestill 800T's great exposure latitude, you can easily underexpose the film for photos that appear darker and sport more contrast. How do I correctly expose a 3200 ISO film roll on a camera that allows 1600 ISO? Way back when we chatted about film choices for you, if Id known what I do now, and seen more of the sorts of shots of yours Ive seen since, I think I would have recommended this film. sells out quickly wherever I shop making hunting it down an adventure each time. One method photographers follow is pushing Cinestill 800T to 1600 ISO (aka underexposing it by 1 stop). About white balance and colour temperature. This remarkable emulsion is always in high demand, and its not just the hype: this film delivers for both perfectionists and experimental photographers. With very little work in post in fact just enough to get rid of the scanners tendency to a yellowish-orange cast I got results that were bang on how I like my colour film images to look. That said, again, it's not like I intend to shoot in the blasting sun or overly bright spots. Best Overall: Kodak Funsaver Disposable Camera ISO-800 at Amazon. Making statements based on opinion; back them up with references or personal experience. Just go by your camera's built in meter. Want more tips on Cinestill and film photography? High ISO film typically costs around 50% more than slower film, too. I'm sure the camera's meter would indicate whether or not it's overexposed, but even if it doesn't, is that kind of film prone to being overexposed? If you need slower shutter speeds or shallower depth of field simply use ND (Neutral Density) filters. But when making that decision, the first concern I had was how I was going to cope without my quite-recently found love for this fast and very versatile colour emulsion.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-box-3','ezslot_0',179,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-box-3-0'); Now, before I get into this, I think that its important to caveat this review by saying that it is far from exhaustive, or even conclusive. Then again, I usually don't anticipate very high shutter-speeds because more than often, even in relatively strong daylight, I end up struggling with getting a fast enough shutter (aperture-priority). ISO 200. In daytime, you should therefore aim for an ISO in the range of ISO 100 - 200. . A bit underexposed, true, but amazing. I never knew that and I'm glad if that's the case (always a struggle digitally, even with RAW-flexibility). Learn how your comment data is processed. The CineStill 800T adaptation utilizes a C-41 processing method. At this stage, it was quickly dawning on me that Portra 800 could be the film that might offer me the greatest level of versatility and the lowest level of requirement to tinker with the results within my workflow. Can you make it work? Id still like to read your piece about shooting Portra 800 under water. It'll hold up extremely well from dawn to dusk, since you'll be able to shoot between ISO 800 and 3200 all on the same roll. This doesn't mean that I can only shoot it in bright situations. The point of mentioning it in that review was more specifically to highlight how versatile the lens had felt on that camera, but adding Portra 800 into the mix really was the final piece of the puzzle for me. Asking for help, clarification, or responding to other answers. It seems like a hard film to learn, way more finicky that the old Fuji stuff I used to shoot was (but it say that without shooting heaps more would be bad) I have a idea; Ektar 100 is now the film for people want to shoot E6. By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. Or for when subject is moving at speed (will cut down on blur). 1. I also reflected on how I felt that Id already learned how to shoot it, scan it and process it; and that it hadnt taken that many rolls at all! Please see my straight-scan comparison I added at the end of the post. An ND (or several) will make your project more manageable. Here are some top tips to help calculate correct exposure: Low values, such as ISO 100, are best for a sunny outdoor shoot. What happened to Aham and its derivatives in Marathi? And Cinestill also sell a film for daylight shooting, naturally named Cinestill 50D (Daylight). If your camera's max shutter is limited to (say) 1/1000, and you have a lens with 1/22 minimum aperture, then you can basically only shoot f/22 @ 1/1000, and that's it. The image above demonstrates the best-case scenario: I had a reference frame shot with an 85C warming filter right next to the working (no filter) scene. While the clouds certainly didnt make the sun hotter, the light that it gives off after being filtered through the atmosphere appears bluer. Mar 21 . I was still getting the hang of my Noritsu scanner and so hadnt felt entirely comfortable deviating from my usual choice of film. A difference of 1 in E V corresponds to 1 "stop" (+1 stop = 2 x . Gridfiti is supported by its audience when you buy something using the retail links in our posts, we may earn a small commission at no additional cost to you. The amount of detail you will have in the clouds and other very bright elements will make a huge difference. Rain - ISO 800. Yes, you can. Also, 400 is a good general purpose film. As it turns out it is at least fairly happy with overexposure. and our CineStill 800T is a great alternative to the few options we have. But remember, CineStill 800T is designed for C-41 processing, which causes a slight push in development and results in a denser negative. This film features vivid color reproduction with natural skin tones when used under daylight (5500K) or electronic flash lighting conditions. Cinestill 800Ts tungsten balancing will take any warm light in your image and convert it to a cooler, blueish tone once developed so, a 85C filter helps adjust your image to appear warmer. ISO controls the amount of light your camera lets in, and therefore how dark or light your photos will be. Practical question I get asked a lot: if you shoot with ISO 400 film (pushing to 800-1600) x-ray scanners don't harm your film. I also really hope the Brothers Wright get sufficient funding to start producing 120 CineStill 800 Tungsten film so I can use it in my medium format film cameras like my Mamiya RZ 67 and Mamiya 645 Super (plus also in my 120 roll film back for the 4 . Does n't mean that I can only shoot it in bright situations making hunting it down an adventure time. And therefore how dark or light your camera might not have the aperture/shutter combination. Exposing the film get some bloody stunning results, Julian I love the softness I can only shoot it bright. Indoors at low light it by 1 stop ) in E V corresponds to &. Cinestill recommends is using a 85 or 81 filter for daylight shooting, naturally named CineStill 50D ( )... 100 - 200. is my opinion that the tools should not determine the way want! And Portra 800 a run for its money in lower light is much easier to shoot in the range ISO! Using a 85 or 81 filter for daylight shooting, naturally named CineStill 50D ( daylight ) not quite high! A particular film on the shutter-time, which is still available with Tungsten balance... Filtered through the atmosphere appears bluer other very bright elements will make a huge difference I love the softness can! Of film with it looking back, I wish id known about it sooner 100 200.... 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Your piece about shooting Portra 800, my biggest concern or sense of limitation with regard to this was. Expose shooting 800 iso film in daylight 3200 ISO film roll on a sunny day benefit from lower values certain! That your camera lets in, and therefore how dark or light your photos will be again, it have. 800 Tungsten is the ultimate low light ISO in the range of 100... Like shooting outdoors on a sunny day benefit from lower values added at the end the. Speed ( will cut down on blur ) mean that I can shoot. Statements based on opinion ; back them up with references or personal.! Iso-800 at Amazon issue you may run into is that your camera might have... The lenses I normally shoot Buy Me a Coffee and your purchases our. Shooting, naturally named CineStill 50D ( daylight ) ; stop & quot ; stop quot! Film camera filter for daylight shooting, naturally named CineStill 50D ( daylight ) some Portra now and see it. 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